{"id":786,"date":"2023-03-11T11:45:35","date_gmt":"2023-03-11T14:45:35","guid":{"rendered":"https:\/\/gabyindiodacosta.com\/arte\/?p=786"},"modified":"2024-09-20T15:40:26","modified_gmt":"2024-09-20T18:40:26","slug":"mercedes-lachmann","status":"publish","type":"post","link":"https:\/\/gabyindiodacosta.com\/arte\/mercedes-lachmann\/","title":{"rendered":"MERCEDES LACHMANN"},"content":{"rendered":"\n
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MERCEDES LACHMANN<\/strong><\/p>\n<\/div>\n\n\n\n

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\u226b<\/strong> v\u00eddeo<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Biografia<\/strong><\/p>\n\n\n\n

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Mercedes nasceu em 1964, no Rio de Janeiro, onde vive e trabalha atualmente. Graduou-se em Comunica\u00e7\u00e3o Visual pela PUC-RJ em 1986, frequentou a Escola de Artes Visuais do Parque Lage (EAV), participou de grupos de estudo em arte e filosofia e forma\u00e7\u00f5es com artistas e curadores. Em 2018 foi indicada ao Pr\u00eamio Pipa, um dos mais relevantes pr\u00eamios de artes visuais do Brasil. Em 2020 integra o coletivo de artistas @BoraGirls, que apoia causas de mulheres em situa\u00e7\u00f5es de vulnerabilidade, atrav\u00e9s de a\u00e7\u00f5es de comunica\u00e7\u00e3o pela arte. A artista j\u00e1 apresentou in\u00fameras exposi\u00e7\u00f5es no Brasil e no exterior e o seu trabalho est\u00e1 presente em diversas cole\u00e7\u00f5es particulares. Sua pesquisa se d\u00e1, primordialmente, no campo da escultura, da instala\u00e7\u00e3o e do v\u00eddeo, privilegiando o uso de materiais naturais. Seu trabalho tangencia quest\u00f5es do meio ambiente e algumas obras aproximam-se da arte ambiental e Land Art. A \u00e1gua foi um marco em sua po\u00e9tica remetendo a quest\u00f5es como a efemeridade da vida, as transforma\u00e7\u00f5es da mat\u00e9ria e a escassez dos recursos naturais. Nos \u00faltimos anos Mercedes passou a usar plantas, ervas medicinais e arom\u00e1ticas em seus trabalhos, onde combina diferentes intensidades, qualidades e pot\u00eancias elaborando uma alquimia sens\u00edvel. Com as plantas novos materiais v\u00eam sendo incorporados em sua produ\u00e7\u00e3o como a madeira, as folhas, as sementes, metais, vindo ao encontro de um pensamento de integra\u00e7\u00e3o, colabora\u00e7\u00e3o e prolifera\u00e7\u00e3o de formas e experi\u00eancias sinest\u00e9sicas, como observamos na express\u00e3o da natureza.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Curr\u00edculo<\/strong><\/p>\n\n\n\n

\n\n\n\n

Exposi\u00e7\u00f5es individuais<\/strong><\/p>\n\n\n\n

2023<\/strong>
Flecha<\/em>, Miec – Santo Tirso, Portugal. Curadoria Cristiana Tejo e \u00c1lvaro Moreira.<\/p>\n\n\n\n

2022<\/strong>
H\u00e1 c\u00e9u por toda parte<\/em>, Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ.Curadoria Marisa Fl\u00f3rido. <\/p>\n\n\n\n

2019<\/strong>
Campo de For\u00e7a (I)<\/em>, Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ<\/p>\n\n\n\n

Exposi\u00e7\u00f5es coletivas<\/strong><\/p>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

Estes olhos que a terra, <\/em>curadoria Theo Monteiro, Centro Cultural dos Correios, S\u00e3o Paulo<\/p>\n\n\n\n

A medida do olhar,<\/em> Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ. Curadoria Isabel Portella<\/p>\n\n\n\n

2021<\/strong>
Show for no one<\/em>, Blaze Image Gallery, Londres, UK. Curadoria Daniela Labra<\/p>\n\n\n\n

2020<\/strong>
Bora Girls Blaw Editions<\/em>. Blaze Image Gallery, Londres, UK. Curadoria Chris Barlein<\/p>\n\n\n\n

2019<\/strong>
Chacona e fuga<\/em>, Galeria Oriente, Rio de Janeiro, RJ. Curadoria Ursula Tautz
6\u00aa Arte Formatto, S\u00e3o Paulo, SP. Curadoria Liliana Pedrosa e Gisele Rossi
Rios do Rio<\/em>, Museu Hist\u00f3rico Nacional, Rio de Janeiro, RJ. Curadoria Fernanda Pequeno<\/p>\n\n\n\n

2018<\/strong>
5\u00aa Arte Formatto, Casa Bossa, S\u00e3o Paulo, SP. Curadoria Liliana Pedrosa.
Aos fios entreguei o horizonte<\/em>, Galeria Hiato, Juiz de Fora, MG. Curadoria Marisa Fl\u00f3rido.
O Feminino Gabinete de Curiosidades<\/em>, Pal\u00e1cio Rio Negro, Petr\u00f3polis, RJ. Curadoria Rosa Paranhos.
Luz Bal\u00e3o<\/em>, Solar Meninos de Luz, RJ. Curadoria Marisa Fl\u00f3rido.
Artistas sem Galeria<\/em>, Orlando Lemos Galeria de Arte, Belo Horizonte.
Artistas sem Galeria<\/em>, Galeria Sancovsky e Zipper Galeria, S\u00e3o Paulo<\/p>\n\n\n\n

2017<\/strong>
Para Todos<\/em>, Galeria Fortes D\u2019Almeida & Gabriel \u2013 Carpintaria, RJ.
Limiares<\/em>, Pa\u00e7o Imperial, Rio de Janeiro, como resultado dos cursos \u201cImers\u00f5es Po\u00e9ticas \u201ce Imers\u00f5es Curatoriais\u201d.
Displacement RIO<\/em>, Vila Aymore, Jacarand\u00e1, Rio de Janeiro. Curadoria de Gabriela Davies.
Displacement Exhibition<\/em>, Ugly Duck, Londres, UK. Curadoria: Gabriela Davies. (http:\/\/www.displacementproject.co.uk\/).<\/p>\n\n\n\n

2016<\/strong>
Interven\u00e7\u00f5es Bradesco\/ARTRIO, Museu da Rep\u00fablica, Rio de Janeiro. Curadoria: Isabel Portella.
Ba\u00eda de Guanabara: \u00e1guas e vidas escondidas<\/em>, Museu de Arte Contempor\u00e2nea (MAC-Niter\u00f3i), RJ. Curadoria: Luiz Guilherme Vergara.<\/p>\n\n\n\n

2015<\/strong>
Festival de Escultura, Centro Cultural da Justi\u00e7a Federal, Rio de Janeiro.<\/p>\n\n\n\n

2014<\/strong>
Implanta\u00e7\u00e3o da obra p\u00fablica \u00c1guas Escondidas, no p\u00e1tio do Centro Cultural Paschoal Carlos Magno, Campo de S\u00e3o Bento, Niter\u00f3i, RJ.
I Mostra RIO de Esculturas Monumentais, Pra\u00e7a Paris, Rio de Janeiro.<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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Biography<\/strong><\/p>\n\n\n\n

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Mercedes Lachmann was born in 1964, in Rio de Janeiro, where she currently lives and works. She graduated in Visual Communication from PUC-RJ in 1986, and attended the Parque Lage Visual Arts School, participating in study groups in art and philosophy and in workshops with artists and curators. In 2018 she was nominated for the Pipa Prize, one of the most important visual arts awards in Brazil. In 2020, she joined the artist collective @BoraGirls, which supports women in situations of vulnerability, through actions of communication through art. The artist has presented numerous exhibitions in Brazil and abroad, and her work is present in several private collections. Her research is mainly developed in the fields of sculpture, installation, and video, favoring the use of natural materials. Her work touches on environmental issues and some of her pieces approach environmental art and Land Art. Water was a milestone in her poetics,
addressing issues such as the ephemerality of life, the transformations of matter, and the scarcity of natural resources. In recent years, Mercedes has started to use plants, and medicinal and aromatic herbs in her works, where she combines different intensities, qualities, and potencies, creating a sensitive alchemy. With the plants, new materials have been incorporated into her production such as wood, leaves, seeds, metals, meeting a thought of integration, collaboration, and proliferation of forms and synesthetic experiences, as we observe in the expression of nature.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Chronology<\/strong><\/p>\n\n\n\n

\n\n\n\n

Individual exhibitions<\/strong><\/p>\n\n\n\n

2023<\/strong>
Flecha<\/em>, Miec – Santo Tirso, Portugal. Curated by Cristiana Tejo e \u00c1lvaro Moreira.<\/p>\n\n\n\n

2022<\/strong>
H\u00e1 c\u00e9u por toda parte<\/em>, Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ. Curated by Marisa Fl\u00f3rido.<\/p>\n\n\n\n

2019<\/strong>
Campo de For\u00e7a (I)<\/em>, Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ<\/p>\n\n\n\n

Collective exhibitions<\/strong><\/p>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

Estes olhos que a Terra, <\/em>Centro Cultural dos Correios, S\u00e3o Paulo. Curated by Theo Monteiro<\/p>\n\n\n\n

A medida do olhar<\/em>, Galeria Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro, RJ. Curated by Isabel Portella.<\/p>\n\n\n\n

2021<\/strong>
Show for no one<\/em>, Blaze Image Gallery, Londres, UK. Curated by Daniela Labra<\/p>\n\n\n\n

2020<\/strong>
Bora Girls Blaw Editions<\/em>. Blaze Image Gallery, Londres, UK. Curated by Chris Barlein<\/p>\n\n\n\n

2019<\/strong>
Chacona e Fuga<\/em>, Oriente Galeria, Rio de Janeiro, RJ. Curated by Ursula Tautz
6th Arte Formatto, S\u00e3o Paulo, SP. Curated by Liliana Pedrosa and Gisele Rossi
Rios do Rio<\/em>, National Historical Museum, Rio de Janeiro. Curated by Fernanda Pequeno<\/p>\n\n\n\n

2018<\/strong>
5th Arte Formatto, Casa Bossa, S\u00e3o Paulo, SP. Curated by Liliana Pedrosa.
Aos fios entreguei o horizonte<\/em>, Hiatus Gallery, Juiz de Fora, MG. Curated by Marisa Fl\u00f3rido.
O Feminino Gabinete de Curiosidades<\/em>, Rio Negro Palace, Petr\u00f3polis, RJ. Curated by Rosa Paranhos.
Luz Bal\u00e3o, Solar Meninos de Luz, Rio de Janeiro. Curated by Marisa Florida.
Artistas sem Galeria<\/em>, Orlando Lemos Art Gallery, Belo Horizonte.
Artistas sem Galeria<\/em>, Sancovsky Gallery and Zipper Gallery, S\u00e3o Paulo<\/p>\n\n\n\n

2017<\/strong>
Para Todos<\/em>, Galeria Fortes D\u2019Almeida & Gabriel \u2013 Carpintaria, Rio de Janeiro.
Limiares<\/em>, Pa\u00e7o Imperial, Rio de Janeiro, as a result of the courses \u201cPoetry Immersions\u201d and \u201cCuratorial Immersions \u201c.
Displacement RIO<\/em>, Vila Aymor\u00e9, Jacarand\u00e1, Rio de Janeiro. Curated by Gabriela Davies.
Displacement Exhibition<\/em>, Ugly Duck, London, UK. Curated by Gabriela Davies. (http:\/\/www.displacementproject.co.uk\/).<\/p>\n\n\n\n

2016<\/strong>
Bradesco Interventions \/ ARTRIO, Museum of the Republic, Rio de Janeiro. Curated by Isabel Portella.
Ba\u00eda de Guanabara: \u00e1guas e vidas escondidas<\/em>, Museum of Contemporary Art (MAC-Niter\u00f3i), RJ. Curated by Luiz Guilherme Vergara.<\/p>\n\n\n\n

2015<\/strong>
Sculpture Festival, Cultural Center of Federal Justice, Rio de Janeiro.<\/p>\n\n\n\n

2014<\/strong>
Implantation of the public work of art Hidden Waters, in the courtyard of the Cultural Center Paschoal Carlos Magno, Campo de S\u00e3o Bento, Niter\u00f3i, RJ.
I Mostra RIO of Monumental Sculptures, Paris Square, Rio de Janeiro.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

MERCEDES […]<\/p>\n","protected":false},"author":1,"featured_media":4067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[18,17,15],"class_list":["post-786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas","tag-ing","tag-port","tag-video"],"_links":{"self":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/comments?post=786"}],"version-history":[{"count":9,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/786\/revisions"}],"predecessor-version":[{"id":4069,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/786\/revisions\/4069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media\/4067"}],"wp:attachment":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media?parent=786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/categories?post=786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/tags?post=786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}