{"id":1545,"date":"2023-04-26T12:13:08","date_gmt":"2023-04-26T15:13:08","guid":{"rendered":"http:\/\/gabyindiodacosta.com\/arte\/?p=1545"},"modified":"2024-11-22T15:47:12","modified_gmt":"2024-11-22T18:47:12","slug":"renan-cepeda","status":"publish","type":"post","link":"https:\/\/gabyindiodacosta.com\/arte\/renan-cepeda\/","title":{"rendered":"RENAN CEPEDA"},"content":{"rendered":"\n
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\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/div><\/div>\n \n <\/div>\n<\/div><\/div>\n\n\n\n
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RENAN CEPEDA<\/strong><\/p>\n<\/div>\n\n\n\n

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Biografia<\/strong><\/p>\n\n\n\n

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Nascido em 1966 no Rio de Janeiro, formado em Mec\u00e2nica Industrial pelo CEFET-RJ e Comunica\u00e7\u00e3o pela Faculdade da Cidade, Renan Cepeda come\u00e7ou a fotografar em preto e branco com 11 anos de idade. Escolado na experi\u00eancia do fotojornalismo no Jornal do Brasil dos anos 1980, colaborou tamb\u00e9m para as maiores publica\u00e7\u00f5es do pa\u00eds, e foi correspondente da ag\u00eancia francesa SIPA-Presse no Rio. Em 1996 fundou o \u201cArte de Portas Abertas\u201d e a Chave Mestra \u2013 Associa\u00e7\u00e3o dos Artistas Visuais de Santa Teresa. Dedicando-se hoje integralmente \u00e0 fotografia de arte, Renan Cepeda \u00e9 reconhecido pelas pesquisas art\u00edsticas sobre t\u00e9cnicas fotogr\u00e1ficas incomuns, como a fotografia infravermelha e o light painting, com v\u00e1rios pr\u00eamios e exposi\u00e7\u00f5es no Brasil e exterior.<\/p>\n\n\n\n

Curr\u00edculo<\/strong><\/p>\n\n\n\n

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Exposi\u00e7\u00f5es individuais<\/strong><\/p>\n\n\n\n

2024<\/strong><\/p>\n\n\n\n

\u201cBuc\u00f3lica\u201d, Centro Cultural Inca Garcilaso del Ministerio de Relaciones Exteriores, Lima, Peru<\/p>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

\u201cPo\u00e1-Panema\u201d, Gaby Indio da Costa Arte Contempor\u00e2nea, Rio de Janeiro<\/p>\n\n\n\n

\u201cEm algum lugar dos Andes\u201d, Instituto Cervantes de Bras\u00edlia e Rio de Janeiro<\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

\u201cTerra em tempos\u201d, Museu de Arte Moderna – RJ<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

\u201cPuna\u201d, Centro Cultural Garcilaso de La Vega, Lima, Peru<\/p>\n\n\n\n

2018<\/strong><\/p>\n\n\n\n

Buc\u00f3lica, Gallery WM, Amsterdam<\/p>\n\n\n\n

2017<\/strong><\/p>\n\n\n\n

FotoFest de Shiedam, Puna, Peru<\/p>\n\n\n\n

Castillos de Luz en La Noche Oscura, Intituto Cervantes, Rio de Janeiro<\/p>\n\n\n\n

Carta Negra, Reserva Cultural\/Tempo Fotografias, Niter\u00f3i<\/p>\n\n\n\n

2016<\/strong><\/p>\n\n\n\n

Objetos Interventados (com Rog\u00e9rio Reis), galeria Modernistas, Rio de Janeiro<\/p>\n\n\n\n

2015<\/strong><\/p>\n\n\n\n

Deveria ser cego o homem invis\u00edvel?, Espa\u00e7o SESC, Rio de Janeiro<\/p>\n\n\n\n

\u201cQuartel de Indai\u00e1\u201d, instala\u00e7\u00e3o, Museu Casa do Pontal, Rio de Janeiro<\/p>\n\n\n\n

2014<\/strong><\/p>\n\n\n\n

WAVE, Galeria Tempo, Rio de Janeiro<\/p>\n\n\n\n

2013<\/strong><\/p>\n\n\n\n

Harvesting the night at the snow star festival, WM Gallery, Amsterdam<\/p>\n\n\n\n

Dos jardins tel\u00faricos de Dona Lota, C. C. Justi\u00e7a Federal<\/p>\n\n\n\n

2012<\/strong><\/p>\n\n\n\n

Daqui se v\u00ea, Galeria Tramas, Rio de Janeiro<\/p>\n\n\n\n

2011<\/strong><\/p>\n\n\n\n

Knight Paintings, Galeria Tempo, Rio de janeiro<\/p>\n\n\n\n

2010<\/strong><\/p>\n\n\n\n

Renan Cepeda \u2013 Fotografias, CRANIO, Rio de Janeiro<\/p>\n\n\n\n

2009<\/strong><\/p>\n\n\n\n

V\u00e3o de Almas, Galeria Abra\u00e7o, Lisboa<\/p>\n\n\n\n

2008<\/strong><\/p>\n\n\n\n

Night Paintings, Galeria Tempo, Rio de Janeiro<\/p>\n\n\n\n

V\u00e3o de Almas, Palais des Festivals, Cannes, Fran\u00e7a<\/p>\n\n\n\n

Kalungas and Graffitti, Tepper Takayama Fine Arts, Boston, EUA<\/p>\n\n\n\n

2008\/07<\/strong><\/p>\n\n\n\n

Light Paintings, Rudolfv Gallery, Amsterdam<\/p>\n\n\n\n

V\u00e3o de Almas, Pinacoteca do Estado de SP<\/p>\n\n\n\n

2007<\/strong><\/p>\n\n\n\n

Picha\u00e7\u00f5es de Luz, Galeria Murilo Castro, Belo Horizonte<\/p>\n\n\n\n

Light Paintings, WM Galery, Amsterdam<\/p>\n\n\n\n

Picha\u00e7\u00f5es, Centro Cultural Bernardo Mascarenhas, Juiz de Fora<\/p>\n\n\n\n

2006<\/strong><\/p>\n\n\n\n

Picha\u00e7\u00f5es, Museu de Arte Contempor\u00e2nea de Pernambuco, Olinda<\/p>\n\n\n\n

Picha\u00e7\u00f5es, Conjuntos Culturais da Caixa de Bras\u00edlia e Salvador<\/p>\n\n\n\n

2004<\/strong><\/p>\n\n\n\n

Invisibles, Galer\u00eda Arte x Arte, Buenos Aires<\/p>\n\n\n\n

2002<\/strong><\/p>\n\n\n\n

Invisibles, Anita Schwartz Galeria, Rio<\/p>\n\n\n\n

Exposi\u00e7\u00f5es coletivas<\/strong><\/p>\n\n\n\n

2024<\/strong><\/p>\n\n\n\n

“Desejo de uma cidade”, Casa Roberto Marinho, Rio de Janeiro<\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

\u201cTerra em tempos: fotografias do Brasil\u201d, Museu de Arte Moderna, Rio de Janeiro<\/p>\n\n\n\n

2019<\/strong><\/p>\n\n\n\n

\u201cGrau 360\u201d \u2013 com Anna Bella Geiger, Ros\u00e2ngela Renn\u00f3, Alexandre Vogler e outtos, Glaeria do Lago, Museu da Rep\u00fablica, Rio de Janeiro<\/p>\n\n\n\n

“Horizontes e trocas”, com Guy Veloso, Oswaldo Gaia, Tatewahe Nio e outros – Ateli\u00ea Zaragoza\/Arte Rosa Barbosa, S\u00e3o Paulo<\/p>\n\n\n\n

2018<\/strong><\/p>\n\n\n\n

Cole\u00e7\u00e3o de Dulce e Jo\u00e3o Figueiredo Ferraz, IFF, Ribeir\u00e3o Preto<\/p>\n\n\n\n

2016<\/strong><\/p>\n\n\n\n

Quem viver, Ver\u00e3o, galeria Sergio Gon\u00e7alves, Rio de Janeiro<\/p>\n\n\n\n

2015<\/strong><\/p>\n\n\n\n

Quartel de Indai\u00e1, instala\u00e7\u00e3o, Museu Casa do Pontal<\/p>\n\n\n\n

Am\u00e9rica Latina, un pueblo al Sur de EEUU, PhotoEspa\u00f1a<\/p>\n\n\n\n

2014<\/strong><\/p>\n\n\n\n

Pr\u00eamio Arte e Patrim\u00f4nio \u2013 IPHAN, Pa\u00e7o Imperial, Rio de Janeiro<\/p>\n\n\n\n

2012<\/strong><\/p>\n\n\n\n

Desenho contempor\u00e2neo brasileiro, C. C. Justi\u00e7a Federal, Rio de janeiro<\/p>\n\n\n\n

Sony World Photography Award, Somerset House, Londres<\/p>\n\n\n\n

2011<\/strong><\/p>\n\n\n\n

In-Vis\u00edveis, Ateli\u00ea Oriente, Rio de Janeiro<\/p>\n\n\n\n

Rio, Galeria Tempo<\/p>\n\n\n\n

2010<\/strong><\/p>\n\n\n\n

O C\u00edrculo e o Ret\u00e2ngulo, Galeria da G\u00e1vea<\/p>\n\n\n\n

2009<\/strong><\/p>\n\n\n\n

Converg\u00eancias, Galeria da G\u00e1vea<\/p>\n\n\n\n

Linguagem de Travessia, Centro Cultural Justi\u00e7a Federal<\/p>\n\n\n\n

2009\/08<\/strong><\/p>\n\n\n\n

Sony World Photography Award Tour: Col\u00f4nia, Tokyo, Delhi, New York<\/p>\n\n\n\n

2008<\/strong><\/p>\n\n\n\n

Portes Ouvert de Belleville, Paris, Fran\u00e7a<\/p>\n\n\n\n

2007<\/strong><\/p>\n\n\n\n

Qual \u00e9 a sua Paisagem?, Centro de Arquitetura e Urbanismo, RJ<\/p>\n\n\n\n

Noturnas, Casa do Saber, Rio<\/p>\n\n\n\n

2006<\/strong><\/p>\n\n\n\n

Magic Realism, com Helen K. Garber e Cassio Vasconcellos, Tepper Takayama Fine Arts, Boston, EUA<\/p>\n\n\n\n

Mano Doble, Museo de Arte Contempor\u00e2nea de Ros\u00e1rio, Argentina<\/p>\n\n\n\n

2005<\/strong><\/p>\n\n\n\n

Galerie de L\u2019Orangerie du Thabor, Rennes, Fran\u00e7a<\/p>\n\n\n\n

Color\/Generations \u2013 Tepper Takayama Fine Arts, Boston, EUA<\/p>\n\n\n\n

33\u00ba Sal\u00e3o de Santo Andr\u00e9, SP;<\/p>\n\n\n\n

M\u00e3o-Dupla, Parque Lage, Rio<\/p>\n\n\n\n

2004<\/strong><\/p>\n\n\n\n

Sal\u00e3o Arte Par\u00e1, Bel\u00e9m<\/p>\n\n\n\n

Centro Cultural General San Mart\u00edn, Buenos Aires<\/p>\n\n\n\n

29\u00ba Sal\u00e3o de Ribeir\u00e3o Preto, SP<\/p>\n\n\n\n

16\u00ba Sal\u00e3o de Praia Grande, SP<\/p>\n\n\n\n

2004\/03<\/strong><\/p>\n\n\n\n

X Sal\u00e3o da Bahia, Museu de Arte Moderna da Bahia<\/p>\n\n\n\n

2003<\/strong><\/p>\n\n\n\n

Foto\/3, com Rog\u00e9rio Reis e Fabian \u2013 Anita Schwartz Galeria, Rio de Janeiro<\/p>\n\n\n\n

2002<\/strong><\/p>\n\n\n\n

Espa\u00e7o BNDES, Rio de Janeiro<\/p>\n\n\n\n

Sal\u00e3o Multim\u00eddia de Genebra, Su\u00ed\u00e7a<\/p>\n\n\n\n

2002\/01<\/strong><\/p>\n\n\n\n

Transfigura\u00e7\u00f5es, Centro Cultural Light, Rio<\/p>\n\n\n\n

Pr\u00eamios<\/strong><\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

Pr\u00eamio PIPA Edi\u00e7\u00e3o Especial \u201cNew Normal: Old Essencial Project\u201d<\/p>\n\n\n\n

2015<\/strong><\/p>\n\n\n\n

VIB Innovation Award, Munique, Alemanha<\/p>\n\n\n\n

2014<\/strong><\/p>\n\n\n\n

IPHAN Arte e Mem\u00f3ria, 2014, com Kitty Paranagu\u00e1, Ana Daloz e Thiago Barros<\/p>\n\n\n\n

2012<\/strong><\/p>\n\n\n\n

Pr\u00eamio aquisi\u00e7\u00e3o Banco Esp\u00edrito Santo \u2013 SPArte<\/p>\n\n\n\n

Indicado ao Pr\u00eamio PIPA<\/p>\n\n\n\n

Sony World Photography Award, projeto Knight Paintings<\/p>\n\n\n\n

2008<\/strong><\/p>\n\n\n\n

Sony World Photography Award, projeto V\u00e3o de Almas<\/p>\n\n\n\n

Hasselblad Master Award 2008 \u2013 men\u00e7\u00e3o honrosa para o projeto V\u00e3o de Almas<\/p>\n\n\n\n

2007<\/strong><\/p>\n\n\n\n

Prix de la Photographie Paris 2007, 2\u00ba lugar por voto popular \u2013 Night Paintings<\/p>\n\n\n\n

2005<\/strong><\/p>\n\n\n\n

Pr\u00eamio-Aquisi\u00e7\u00e3o no 33\u00ba Sal\u00e3o de Santo Andr\u00e9<\/p>\n\n\n\n

Bolsa-pr\u00eamio da Funda\u00e7\u00e3o do Patrim\u00f4nio Hist\u00f3rico e Art\u00edstico de Pernambuco \u2013 FUNDARPE<\/p>\n\n\n\n

2004<\/strong><\/p>\n\n\n\n

International Agfa Photo Award, Alemanha<\/p>\n\n\n\n

2002<\/strong><\/p>\n\n\n\n

Pr\u00eamio no Concurso Min. do Meio Ambiente, Jd. Bot\u00e2nico<\/p>\n\n\n\n

Pr\u00eamio no Concurso do Parque Nacional da Tijuca<\/p>\n\n\n\n

2001<\/strong><\/p>\n\n\n\n

Pr\u00eamio no Concurso Min. do Meio Ambiente, Jd. Bot\u00e2nico<\/p>\n\n\n\n

1997<\/strong><\/p>\n\n\n\n

Men\u00e7\u00e3o honrosa no Pr\u00eamio Nacional de Fotografia Marc Ferrez\/FUNARTE<\/p>\n\n\n\n

1988<\/strong><\/p>\n\n\n\n

Men\u00e7\u00e3o honrosa no Pr\u00eamio Nacional de Fotografia Marc Ferrez\/ FUNARTE<\/p>\n\n\n\n

Principais cole\u00e7\u00f5es<\/strong><\/p>\n\n\n\n

Funda\u00e7\u00e3o Roberto Marinho<\/p>\n\n\n\n

Funda\u00e7\u00e3o Cada das onze janelas, Bel\u00e9m, PA<\/p>\n\n\n\n

MAM \u2013 Museus de Arte Moderna, Rio de Janeiro<\/p>\n\n\n\n

Joaquim Paiva\/MAM-RJ<\/p>\n\n\n\n

MAR – Museu de Arte do Rio<\/p>\n\n\n\n

Pinacoteca do Estado de S\u00e3o Paulo<\/p>\n\n\n\n

Funda\u00e7\u00e3o Roberto Marinho, RJ<\/p>\n\n\n\n

BNDES, Rio de Janeiro<\/p>\n\n\n\n

Museu de Arte Contempor\u00e2nea das Onze Janelas, Bel\u00e9m<\/p>\n\n\n\n

Museu de Arte Contempor\u00e2nea de Pernambuco<\/p>\n\n\n\n

Banco Esp\u00edrito Santo, Lisboa<\/p>\n\n\n\n

Pinacoteca de S\u00e3o Paulo<\/p>\n\n\n\n

Photographic research of Boston University, EUA<\/p>\n\n\n\n

Worcester Arts Museum, Massachusetts, EUA<\/p>\n\n\n\n

United Talent Artists, Los Angeles<\/p>\n\n\n\n

Elon Musk, Los Angeles<\/p>\n\n\n\n

Scott Painter, Los Angeles<\/p>\n\n\n\n

Bill Woodward, Los Angeles<\/p>\n\n\n\n

Jason Burns, Los Angeles<\/p>\n\n\n\n

Olavo Monteiro de Carvalho, RJ<\/p>\n\n\n\n

Jo\u00e3o Roberto Marinho, RJ<\/p>\n\n\n\n

Sergio Fadel, RJ<\/p>\n\n\n\n

Gafisa, S\u00e3o Paulo<\/p>\n\n\n\n

Casa do Olhar, Cole\u00e7\u00e3o Luis Sacilotto, Santo Andr\u00e9, S\u00e3o Paulo<\/p>\n\n\n\n

BANESPA, Banco do Estado de S\u00e3o Paulo<\/p>\n\n\n\n

Banco Cruzeiro do Sul, S\u00e3o Paulo e Rio de Janeiro<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

RENAN […]<\/p>\n","protected":false},"author":1,"featured_media":4189,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[17],"class_list":["post-1545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas","tag-port"],"_links":{"self":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/comments?post=1545"}],"version-history":[{"count":8,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1545\/revisions"}],"predecessor-version":[{"id":4253,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1545\/revisions\/4253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media\/4189"}],"wp:attachment":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media?parent=1545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/categories?post=1545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/tags?post=1545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}