{"id":1230,"date":"2023-04-26T09:43:21","date_gmt":"2023-04-26T12:43:21","guid":{"rendered":"http:\/\/gabyindiodacosta.com\/arte\/?p=1230"},"modified":"2023-04-26T09:58:25","modified_gmt":"2023-04-26T12:58:25","slug":"andre-andrade","status":"publish","type":"post","link":"https:\/\/gabyindiodacosta.com\/arte\/andre-andrade\/","title":{"rendered":"ANDR\u00c9 ANDRADE"},"content":{"rendered":"\n
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ANDR\u00c9 ANDRADE<\/strong><\/p>\n<\/div>\n\n\n\n

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\u226b<\/strong> v\u00eddeo<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Biografia<\/strong><\/p>\n\n\n\n

\n\n\n\n

Rio de Janeiro, 1969.<\/p>\n\n\n\n

Vive e trabalha no Rio de Janeiro.<\/p>\n\n\n\n

Andr\u00e9 Andrade \u00e9 formado em Engenharia Civil pela UERJ, Rio de Janeiro ( 1997 ).<\/p>\n\n\n\n

Em 2002 iniciou os seus passos na EAV, Escola de Artes Visuais do Parque Lage, onde mergulhou no mundo art\u00edstico atrav\u00e9s de v\u00e1rios cursos, contato com grupos de artistas, professores e pensadores.<\/p>\n\n\n\n

Em 2003\/2004 viveu na Noruega, onde teve a oportunidade de trocar experi\u00eancias com artistas internacionais, dar aulas, trabalhar em seu pr\u00f3prio atelier e fazer exposi\u00e7\u00f5es individuais e coletivas.<\/p>\n\n\n\n

Participou do grupo de estudos no atelier Mundo Novo, supervisionado por Charles Watson, de 2009 \u00e0 2011.<\/p>\n\n\n\n

Ainda em 2011, foi selecionado para o \u201d Arte Par\u00e1 \u201c, com curadoria de Paulo Herkenhoff.<\/p>\n\n\n\n

Participou de diversas exposi\u00e7\u00f5es, tais como: \u201d Pincelada \u201d na Galeria Bar\u00f3, \u201d Porque n\u00e3o me contou sobre voc\u00ea ? \u201d Na Galeria Athena Contempor\u00e2nea e \u201cFigura Humana\u201d, na Caixa Econ\u00f4mica Federal, com curadoria de Raphael Fonseca, entre outras.<\/p>\n\n\n\n

Em 2014, teve seu trabalho adquirido pelo MAR- Museu de Arte do Rio de Janeiro.<\/p>\n\n\n\n

Desde 2011 trabalha com as diversas perspectivas da imagem, elaborando pesquisas e trabalhos relativos \u00e0s formas e elementos que a desconstroem. Dentro destas pesquisas surgiram diversas s\u00e9ries: uma gerada a partir das distor\u00e7\u00f5es criadas nas interfer\u00eancias em sinais de transmiss\u00e3o de TV, tais como dados corrompidos e lapsos; outra gerada a partir de distor\u00e7\u00f5es causadas nos reflexos das imagens em corpos h\u00eddricos. Atualmente vem desenvolvendo pinturas geradas a partir de imagens distorcidas por aplicativos encontrados em m\u00eddia digital.<\/p>\n\n\n\n

Todas as s\u00e9ries tem a caracter\u00edstica de nos remeter \u00e0 desconex\u00e3o da imagem \u201creal\u201d atrav\u00e9s de ru\u00eddos \u00f3ticos intervenientes em imagens transit\u00f3rias, fazendo o expectador pensar sobre as v\u00e1rias perspectivas que uma imagem pode ter e de quantos \u00e2ngulos e dimens\u00f5es a mesma pode ser oferecida.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Curr\u00edculo<\/strong><\/p>\n\n\n\n

\n\n\n\n

Forma\u00e7\u00e3o<\/strong><\/p>\n\n\n\n

1997
Eng. Civil \u2013 (UERJ)<\/p>\n\n\n\n

2003
Pintura \u2013 Araken
Proced\u00eancia e propriedade \u2013 Charles Watson
EVA \u2013 Pintura \u2013 Jo\u00e3o Magalh\u00e3es<\/p>\n\n\n\n

2004\/05
Atelier em USF Verftet, Noruega<\/p>\n\n\n\n

2009\/11
Atelier Mundo Novo grupo de estudo, supervisionado por Charles Watson (recomendado por St Martins College of art and design).<\/p>\n\n\n\n

2011
Desenvolvimento de projetos \u2013 Franz Manata<\/p>\n\n\n\n

2012
Projeto de pesquisa | A imagem em quest\u00e3o 2012 \u2013 EVA<\/p>\n\n\n\n

Exposi\u00e7\u00f5es Individuais<\/strong><\/p>\n\n\n\n

2018
Mas quem me mandou a mim querer perceber?, Galeria Maria de Lourdes Mendes de Almeida, Centro Cultural Candido Mendes, Ipanema, RJ<\/p>\n\n\n\n

2017
Imagem \u00e0 margem, curadoria Isabel Portela, Hostel Contempor\u00e2neo<\/p>\n\n\n\n

2012
Porque n\u00e3o me contou sobre voc\u00ea ?,Galeria Athena contempor\u00e2nea, RJ<\/p>\n\n\n\n

2005
Tre separatutstillinger, Galleri Athene, Drammen, Noruega<\/p>\n\n\n\n

Exposi\u00e7\u00f5es coletivas<\/strong><\/p>\n\n\n\n

2017
Poesia do dia a dia, curadoria Bruno Miguel e Luiz Ernesto, Espa\u00e7o Cultural Sergio Porto, Rio de Janeiro
Poesia do dia a dia, SP Arte, Galeria Mamute, S\u00e3o Paulo<\/p>\n\n\n\n

2015
Crossover, Galeria Monique Panton, Rio de Janeiro<\/p>\n\n\n\n

2014
Mais pintura, SESC \u2013 Quitandinha, Petr\u00f3polis
Mais pintura, Parque Lage , Rio de Janeiro
Shibatonics, Luz para todos, Cidade da M\u00fasica, Rio de Janeiro
Figura Humana, curadoria Raphael Fonseca, Caixa Econ\u00f4mica Federal, Rio de Janeiro
Figura Humana, Escrit\u00f3rio de Arte Gaby Indio da Costa, Rio de Janeiro<\/p>\n\n\n\n

2013
Art Rio, Galeria Athena Contempor\u00e2nea, Rio de Janeiro
Mais pintura, Centro Cultural da Justi\u00e7a Federal, Rio de Janeiro
SP Arte, Galeria Athena Contempor\u00e2nea, S\u00e3o Paulo
A imagem em quest\u00e3o, Parque Lage, Rio de Janeiro
Retrato e Auto-retrato, Galeria MUV, curadoria de Daniela Labra, Rio de janeiro<\/p>\n\n\n\n

2012
Manobras po\u00e9ticas, Galeria Athena contempor\u00e2nea, S\u00e3o Paulo
SP Arte, Galeria Athena Contempor\u00e2nea, S\u00e3o Paulo
Atemporal , Rio de Janeiro<\/p>\n\n\n\n

2011
Pincilada, Coletiva de pintura contempor\u00e2nea, Galeria Bar\u00f3, S\u00e3o Paulo
Arte Par\u00e1 2011, curadoria de Paulo Herkenhoff, Bel\u00e9m, Museu Hist\u00f3rico do Par\u00e1<\/p>\n\n\n\n

2009
Aluga- se, Galeria Laura Marsiaj Arte Contempor\u00e2nea, Rio de Janeiro<\/p>\n\n\n\n

2008
Andr\u00e9 Andrade e Viviane Teixeira, Galeria LGC<\/p>\n\n\n\n

2006
Interven\u00e7\u00e3o, III Semana Cultural em Santa Tereza, Rio de Janeiro.<\/p>\n\n\n\n

2003
Resgate da verdadeira pintura, Centro Cultural Suassuna, Rio de Janeiro<\/p>\n\n\n\n

Pr\u00eamios<\/strong><\/p>\n\n\n\n

Garimpo, Revista das Artes<\/p>\n\n\n\n

Cole\u00e7\u00f5es P\u00fablicas<\/strong><\/p>\n\n\n\n

2014
MAR \u2013 Museu de Arte do Rio, Rio de Janeiro<\/p>\n\n\n\n

Workshops Ministrados<\/strong><\/p>\n\n\n\n

2005
Summer festival, Drammen, Noruega
Asker Kunstfagskole, Asker, Noruega<\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

Biography<\/strong><\/p>\n\n\n\n

\n\n\n\n

Rio de Janeiro, 1969.<\/p>\n\n\n\n

Lives and works in Rio de Janeiro.<\/p>\n\n\n\n

Andr\u00e9 Andrade has a degree in Civil Engineering from UERJ, Rio de Janeiro (1997).<\/p>\n\n\n\n

In 2002, he began his studies at EAV, the School of Visual Arts at Parque Lage, where he immersed himself in the artistic world through various courses, connections with groups of artists, teachers and thinkers.<\/p>\n\n\n\n

In 2003\/2004 he lived in Norway where he had the opportunity to exchange experiences with international artists, teach, work in his own studio and show his pieces at both solo and collective exhibitions.<\/p>\n\n\n\n

He participated in the study group at the Mundo Novo atelier, supervised by Charles Watson, from 2009 to 2011.<\/p>\n\n\n\n

Also in 2011, he was selected for \u201cArte Par\u00e1\u201d, curated by Paulo Herkenhoff.<\/p>\n\n\n\n

He participated in several exhibitions, such as: \u201cPincelada\u201d at Galeria Bar\u00f3, \u201cPorque n\u00e3o me contou sobre voc\u00ea?\u201d at Galeria Athena Contempor\u00e2nea and \u201cFigura Humana\u201d at Caixa Econ\u00f4mica Federal, curated by Raphael Fonseca, among others.<\/p>\n\n\n\n

In 2014, his work was acquired by MAR- Museu de Arte do Rio de Janeiro.<\/p>\n\n\n\n

Since 2011, Andr\u00e9 has been working with the different perspectives of the image, elaborating research and works based on the forms and elements that deconstruct it. Within this research several series emerged: one generated from the distortions created in the interferences in signals of TV transmission, such as corrupted data and lapses; another generated from distortions caused in the reflections of the images in water bodies. Currently, he has been developing paintings generated from images distorted by applications found on digital media.<\/p>\n\n\n\n

All of these series have the characteristic of referring to the disconnection of the \u201creal\u201d image through optical noises intervening in transitory images, making the spectator think about the various perspectives that an image can have and of how many angles and dimensions it can be offered.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Chronology<\/strong><\/p>\n\n\n\n

\n\n\n\n

Graduation<\/strong><\/p>\n\n\n\n

1997
Degree in Civil Engineering \u2013 (UERJ)<\/p>\n\n\n\n

2003
Painting \u2013 Araken
Provenance and property \u2013 Charles Watson
EVA \u2013 Painting \u2013 Jo\u00e3o Magalh\u00e3es<\/p>\n\n\n\n

2004\/05
Atelier in USF Verftet, Norway<\/p>\n\n\n\n

2009\/11
Atelier Mundo Novo study group, supervised by Charles Watson (recommended by St Martins College of art and design).<\/p>\n\n\n\n

2011
Development of projects \u2013 Franz Manata<\/p>\n\n\n\n

2012
Research project | The image in question 2012 \u2013 EVA<\/p>\n\n\n\n

Individual Exhibitions<\/strong><\/p>\n\n\n\n

2018
Mas quem me mandou a mim querer perceber?, Galeria Maria de Lourdes Mendes de Almeida, Centro Cultural Candido Mendes, Ipanema, RJ<\/p>\n\n\n\n

2017
Imagem \u00e0 margem, curated by Isabel Portella, Hostel Contempor\u00e2neo<\/p>\n\n\n\n

2012
Porque n\u00e3o me contou sobre voc\u00ea ?, Galeria Athena Contempor\u00e2nea, RJ<\/p>\n\n\n\n

2005
Tre separatutstillinger, Galleri Athene, Drammen, Noruega<\/p>\n\n\n\n

Collective exhibitions<\/strong><\/p>\n\n\n\n

2017
Poesia do dia a dia, curated by Bruno Miguel and Luiz Ernesto, Espa\u00e7o Cultural Sergio Porto, Rio de Janeiro
Poesia do dia a dia, SP Arte, Galeria Mamute, S\u00e3o Paulo<\/p>\n\n\n\n

2015
Crossover, Galeria Monique Panton, Rio de Janeiro<\/p>\n\n\n\n

2014
Mais pintura, SESC \u2013 Quitandinha, Petr\u00f3polis
Mais pintura, Parque Lage, Rio de Janeiro
Shibatonics, Luz para todos, Cidade da M\u00fasica, Rio de Janeiro
Figura Humana, curated by Raphael Fonseca, Caixa Econ\u00f4mica Federal, Rio de Janeiro
Figura Humana, Escrit\u00f3rio de Arte Gaby Indio da Costa, Rio de Janeiro<\/p>\n\n\n\n

2013
Art Rio, Galeria Athena Contempor\u00e2nea, Rio de Janeiro
Mais pintura, Centro Cultural da Justi\u00e7a Federal, Rio de Janeiro
SP Arte, Galeria Athena Contempor\u00e2nea, S\u00e3o Paulo
A imagem em quest\u00e3o, Parque Lage, Rio de Janeiro
Retrato e Auto-retrato, Galeria MUV, curated by Daniela Labra, Rio de Janeiro<\/p>\n\n\n\n

2012
Manobras Po\u00e9ticas, Galeria Athena Contempor\u00e2nea, S\u00e3o Paulo
SP Arte, Galeria Athena Contempor\u00e2nea, S\u00e3o Paulo
Atemporal, Rio de Janeiro<\/p>\n\n\n\n

2011
Pincelada, Collective of contemporary painting, Galeria Bar\u00f3, S\u00e3o Paulo
Arte Par\u00e1 2011, curated by Paulo Herkenhoff, Bel\u00e9m, Historical Museum of Par\u00e1<\/p>\n\n\n\n

2009
Aluga-se, Galeria Laura Marsiaj Arte Contempor\u00e2nea, Rio de Janeiro<\/p>\n\n\n\n

2008
Andr\u00e9 Andrade and Viviane Teixeira, Galeria LGC<\/p>\n\n\n\n

2006
Interven\u00e7\u00e3o, III Semana Cultural em Santa Tereza, Rio de Janeiro.<\/p>\n\n\n\n

2003
Resgate da verdadeira pintura, Centro Cultural Suassuna, Rio de Janeiro<\/p>\n\n\n\n

Awards<\/strong><\/p>\n\n\n\n

Garimpo, Revista das Artes<\/p>\n\n\n\n

Public collections<\/strong><\/p>\n\n\n\n

2014
MAR \u2013 Museu de Arte do Rio, Rio de Janeiro<\/p>\n\n\n\n

Workshops Held<\/strong><\/p>\n\n\n\n

2005
Summer festival, Drammen, Norway
Asker Kunstfagskole, Asker, Norway<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

ANDR\u00c9 […]<\/p>\n","protected":false},"author":1,"featured_media":1268,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[18,17,15],"class_list":["post-1230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acervo","tag-ing","tag-port","tag-video"],"_links":{"self":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/comments?post=1230"}],"version-history":[{"count":7,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1230\/revisions"}],"predecessor-version":[{"id":1269,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/posts\/1230\/revisions\/1269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media\/1268"}],"wp:attachment":[{"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/media?parent=1230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/categories?post=1230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gabyindiodacosta.com\/arte\/wp-json\/wp\/v2\/tags?post=1230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}